![]() A cartoon-style introduction links the user to a series of images with text commentary on saints in the Middle Ages, books of hours, the liturgical year, and classical mythology. “Highlights” is an attractive starting point for users who want to browse casually or learn about themes for more specialized searches. This link offers an indispensable overview of the site’s structure and contents. It also contains links to a description of the cataloging process and a substantial introduction to the “scope and purpose of the web catalogue”. The “general introduction” succinctly explains three ways the user can access the site’s image holdings: via collection highlights, a “browse by subject” page, or an “expert search” engine. One advantage of this system is that it is not dependent on language-specific keywords for searches. So, for example, a 13th-century miniature depicting Joseph on his way to find his brothers bears the code “71D1221,” indicating alphanumerically from left to right that the illustration is from the Bible (7), specifically the Old Testament Joseph story in Genesis (71D), and is one of the events leading up to Joseph’s enslavement and journey to Egypt (71D12). ![]() This system uses alphanumeric codes to categorize each image through 10 major thematic topics. Most portions of the site are available in either English or Dutch the keyword search in the “browse by subject” page (discussed below) can be conducted in English, French, or German.Ī key feature of this site is its use of the Iconclass classification system. Only illuminations, not entire manuscripts, have been digitized for the site. The vast majority of the manuscripts are from France and the Low Countries. The primarily late medieval images are drawn from close to 400 manuscripts from the 8th through 16th centuries, although more than half date to the 15th century alone. The exhibition complements Treasures of Heaven: Saints, Relics, and Devotion in Medieval Europe, on view October 17, 2010–January 17, 2011, in the Kelvin and Eleanor Smith Foundation Exhibition Hall.This site offers searchable database access to almost 11,000 manuscript illuminations (miniatures, initials, and border decorations) from the National Library of the Netherlands and the Museum Meermanno-Westreenianum in The Hague. This exhibition presents a selection of liturgical, academic, and biblical leaves from the museum's permanent collection. Often elaborately decorated in a multitude of styles and formats, illuminated manuscripts flourished in ecclesiastical, monastic, devotional, courtly, legal, and academic contexts throughout the Middle Ages and early Renaissance. The Middle Ages broke with this tradition by considering a literary text as something to be revealed visually to be understood through the written word. ![]() In antiquity, literature was thought of as something spoken or heard. These were enlivened by the application of colorful inks, pigments, and gold. ![]() Its texts were written on vellum (animal skin), not paper. ![]() An illuminated manuscript is a book that was written and decorated by hand sometime between the fall of Rome, in the late 5th century AD, and the perfection of printing technology towards the end of the 15th century. The history of manuscript illumination corresponds almost exactly with the epoch we know as the Middle Ages, a vast period of about a thousand years. The illuminated manuscript is undoubtedly the most tactile and recognizable of all such collectibles from this era. Their appeal is both intimate and timeless. Its history spans at least a millennium, and for many of us today these handwritten, richly embellished works of art represent the quintessential form of medieval artistic expression. The history of the book forms one of the chief categories of the material culture of medieval and Renaissance Europe. ![]()
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